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Past Events
Peninsula Arts Contemporary Music Festival 2006
Friday 24, Saturday 25 & Sunday 26 February 2006
Warning: Some venues have changed!
Voices
Festival Directors:
Simon Ible, Director of Music, University of Plymouth
Eduardo R Miranda, Professor of Computer Music, University of Plymouth
The weekend festival of performances,
lectures, demonstrations and workshops explores contemporary music
for "voices" and showcases computer music research and new creative
developments at University of Plymouth.
Friday 24 February, 7.30pm
| 7.30pm: |
Concert
Tickets £7 (students free)
Upper Lecture Theatre, Sherwell Centre, University of Plymouth
Kate Westbrook, Mike Westbrook and Marcelo Gimenes
Kate Westbrook, internationally acclaimed vocalist and Mike Westbrook, the UK's foremost jazz composer, big band leader and pianist perform original songs, jazz ballads and music theatre.
Marcelo Gimenes, superb Brazilian pianist and improviser performs
piano pieces by: Jonatas Manzolli: Heptaedro, Eduardo
R Miranda: Carnival for Piano and Heitor Villa-Lobos:
Ciclo Brasileiro
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Saturday 25 February, 10.00am –
7.30pm
| 10.00am: |
Lecture
Free event
Room 105, Scott Building, University of Plymouth
Eduardo Reck de Miranda
Artificial Phonology: On Composing Music with Surreal
Languages
and Disembodied Voice
Professor Miranda examines some of the techniques used to
create an artificial phonological system for Sacra Conversazione,
a short opera in five acts featuring human singers, artificially
synthesized voices and complementary synthetic sounds. It
introduces some of the most significant techniques for computer
simulation and manipulation of voice used to produce materials
for the piece. The lecture concludes with a discussion of
lessons learned throughout the process of composing music
with such techniques.
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| 12.00pm: |
Workshop
Free event
Room 105, Scott Building, University of Plymouth
John Matthias
Remix Workshop
Doctor Matthias, Senior Lecturer in the School of Media and
Photography at the University of Plymouth, will work with
10 participants in a live workshop looking at ways in which
the participants might write/produce a short (2 minute) piece
involving words/music, which will be performed at 5.00pm. |
| 1.00pm: |
Sound
Diffusion Free event
Room 105, Scott Building, University of Plymouth
Electroacoustic Voices
Electroacoustic vocal pieces for loudspeakers featuring compositions
by David Evan Jones, Jaap Blonk & Radboud Mens, Peter
Beyls and Trevor Wishart. |
| 2.00pm: |
Lecture
Free event
Room 105, Scott Building, University of Plymouth
Frances M Lynch
The Electric Voice
Vocal and microphone techniques and singing with recorded
music explored through the works being presented in the programme.
How to sing with different kinds of fixed microphones and
exploit their attributes, whilst, avoiding the many pitfalls.
How to synchronise with recorded music, and how this differs
from composer to composer. How the electronics work and what
is available. How to decipher scores
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| 3.00pm: |
Lecture
Free event
Room 105, Scott Building, University of Plymouth
Karen Wimhurst
Transformations: from the kitchen sink to the bowl of
the Universe
Composer Karen Wimhurst will talk about compositional processes
and the intimacy of the female in creativity. |
| 5.00pm: |
Performance
Free event
Room 105, Scott Building, University of Plymouth
John Matthias Remix Workshop Performance
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| 7.30pm: |
Concert
Tickets £7 (students free)
St Matthias Church, North Hill, Plymouth
Frances M Lynch: Electric Voice Music
Voces: A capella choral music directed by Martyn Warren
Concert of vocal and electronic music including Karen Wimhurst:
Phoenix, Eduardo R Miranda: Requiem per una veu
perduda, Andrew Lovett: The Daughters of Sarah
and Alejandro Vinao: Hildegard’s Dream, and
choral works by Karen Wimhurst, settings of words by Emily
Dickenson and Arvo Pärt sacred music.
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Sunday 26 February, 10.30am
– 1.00pm
| 10:00am: |
Workshop
Free entrance
Room 105, Scott Building, University of Plymouth
Frances M Lynch
Your Electric Voice
The workshop offers an opportunity for all-comers to have
a go at singing and recording with microphones. It will be
of interest as much to complete beginners as to experienced
voice practitioners. We will be exploring the voice as an
instrument – extending it using the electronics, having
fun with it and creating some pieces of music together which
use both pre-recorded & live sounds, based on the music
that forms part of my programme
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| 1:00pm: |
Concert
Tickets £7 (students free)
Room 105, Scott Building, University of Plymouth
Daniel & Matthew Smith remix performances
John Matthias songwriter and performer
Brothers Matthew and Daniel Smith are pleased to present
VOXSONICS. An amalgamation of audio snapshots collected and
dissected from between the years 1987 to 26/2/06 10-am! Nine
pieces of music / art are mixed to create a fluid texture
with a heavy vocal slant. Expect the humorous alongside the
strange. The works include sounds from early childhood recordings
/ local operatic vocalists, samples of amateur cb radio enthusiasts
from around the Devonshire area. Titles include: Dirty
Suit, Birdman, Potato Feet and Linalool
Static Kebab
John Matthias has collaborated with many internationally
renowned recording artists including Radiohead and Matthew
Herbert. His first solo studio album, Smalltown,
Shining, was released by Accidental Records (Lifelike)
in 2001 and was heralded by Time Out (London) as
one of the first examples of a new genre of song-writing.
The Fire Engine, One Sunny Morning and
Vipers’s Nest performed by John Matthias, Nick
Ryan and Jez Taylor.
Ends approximately 2.15pm
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For more information
contact:
Peninsula Arts
University of Plymouth
2 Endsleigh Place
Drake Circus
Plymouth
PL4 8AA
For further details and ticket information
please contact:
Alison Whitehouse
Tel: 01752 238117
Email: alison.whitehouse@plymouth.ac.uk
http://www.peninsula-arts.co.uk/
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John Matthias

Eduardo Reck Miranda

Marcelo Gimenes

Alejandro Vinao

Trevor Wishart

Karen Wimhurst

Frances Lynch
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