University of Plymouth
206 Smeaton Building
Drake Circus
Plymouth PL4 8AA
United Kingdom
Tel: +44 (0)1752 232579
Book Chapters
- Miranda, E. R. (2005). "Musique de la
Vie Artificiel", L. Poissant (Ed.), Art et Biotechnologies.
Montreal, Canada: Presses de l'Universite du Quebec.
- Todd, P. and Miranda, E. R. (2005). "Putting
some (artificial) life into models of musical creativity", I. Deliege
and G, Wiggins (Eds.), Musical creativity: Current research in theory
and practice. London, UK: Psychology Press. (To appear)
- Hellier, E. J., Weedon, B., Edworthy, J. and
Walters, K. (2003). "Using psychophysics to design speech warnings".
In E. C. Haas and J. Edworthy (Eds.), The Ergonomics of Sound. Santa
Monica, CA: Human Factors and Ergonomics Society, pp. 64-67.
Journal Papers
- Miranda, E. R. (2006). "Artificial Phonology:
On Synthesising Disembodied Humanoid Voice for Composing Music with
Surreal Languages", Leonardo Music Journal, 15 (Accepted
for publication).
- Miranda, E. R. (2005). "Brain-Computer
Interfacing for Musical Composition and Performance", In International
Journal of Performance Arts and Digital Media. (To appear)
- Miranda, E. R. and Matthias, J. (2005). "Granular
Sampling using a Pulse-Coupled Network of Spiking Neurons", In
F. Rothlauf et al. (Eds.) EvoWorkshops 2005, Lecture Notes in Computer
Science 3449, pp. 539-544. Berlin: Springer-Verlag.
[Download PDF]
- Miranda, E. R. and Brouse, A. (2005). "Interfacing
the Brain Directly with Musical Systems: On developing systems for making
music with brain signals ", Leonardo, 38(4):331-336.
[Download PDF]
- Valsamakis, N. and Miranda, E. R. (2005). "Iterative
Sound Synthesis by means of Cross-Coupled Digital Oscillators",
Digital Creativity. 16(2):79-92.
[Download PDF]
- Miranda, E. R., Roberts, S. and Stokes, M. (2004).
"On Generating EEG for Controlling Musical Systems", Biomedizinische
Technik, 49(1):75-76.
[Download PDF]
- Miranda, E. R. (2004). "At the Crossroads of
Evolutionary Computation and Music: Self-Programming Synthesizers, Swarm
Orchestras and the Origins of Melody", Evolutionary Computation,
Vol. 12, No. 2. pp. 137-158.
[Download PDF]
- Miranda, E. R., Kirby, S. and Todd, P. (2003). "On
Computational Models of the Evolution of Music: From the Origins of
Musical Taste to the Emergence of Grammars", Contemporary Music
Review, Vol. 22, No. 3, pp. 91-111.
[Download PDF] [Warning: version before revision. It may contain errors.]
- Miranda, E. R., Sharman, K., Kilborn, K., Duncan,
A. (2003). "On Harnessing the Electroencephalogram for the Musical
Braincap", Computer Music Journal, Vol. 27, No. 2, pp.
80-102.
[Download PDF]
- Miranda, E. R. (2003). "On the Music of
Emergent Behaviour: What can Evolutionary Computation Bring to the Musician?",
Leonardo, Vol. 36, No. 1, pp. 55-58.
[ Download PDF]
- Miranda, E. R. (2003). "On the evolution of
music in a society of self-taught digital creatures", Digital
Creativity, Vol. 14, No. 1, pp. 29-42.
[Download PDF] [Warning: version before revision. It may contain errors.]
- Westerman, G. and Miranda, E. R. (2003). "Modelling
the Development of Mirror Neurons for Auditory-Motor Integration",
Journal of New Music Research, Vol. 31, No. 4, pp. 367-375.
[Download PDF]
- Westerman, G. and Miranda, E. R. (2003). "A
New Model of Sensorimotor Coupling in the Development of Speech",
Brain and Language, Vol.82, No.2, pp.393-400.
[Download PDF]
Conference Papers
- Miranda, E. R. and Tikhanoff, V. (2005). "Musical
Composition by an Autonomous Robot: An Approach to AIBO Interaction".
Proceedings of TAROS 2005 - Towards Autonomous Robotic Systems,
London (UK).
[Download PDF]
- Miranda, E. R. and Brouse, A. (2005). "Toward
Direct-Computer Musical Interfaces", Proceedings of the 5th
International Conference on New Instruments for Musical Expression (NIME¹05),
Vancouver, BC, Canada.
[Download PDF]
- Miranda, E. R., Brouse, A., Boskamp, B. and
Mullaney, H. (2005). "Plymouth Brain-Computer Music Interface Project:
Intelligent Assistive Technology for Music-Making", Proceedings
of the International Computer Music Conference 2005, Barcelona (Spain).
[Download PDF]
- Miranda, E. R. and Maia Jr., A. (2005). "Granular
Synthesis of Sounds Through Markov Chains with Fuzzy Control", Proceedings
of the International Computer Music Conference 2005, Barcelona
(Spain).
[Download PDF]
- Miranda, E. R. and Zhang, Q. (2005). "Composition
As Game Strategy: Making Music by Playing Board Games Against Evolved
Artificial Neural Networks", Proceedings of the International Computer
Music Conference 2005, Barcelona (Spain).
[Download PDF]
- Miranda, E. R., Manzolli, J. and Maia Jr, A.
(2005). "Granular Synthesis of Sounds through Fuzzyfied Markov
Chains", Proceedings of IX National Convention of the Audio
Engineering Society, Sao Paulo (Brazil).
[Download PDF]
- Alvaro, J. Miranda, E. and Barros, B. (2005).
"EV Ontology: Multilevel Knowledge Representation and Programming",
Proceedings of the 10th Brazilian Symposium of Musical Computation
(SBCM), Belo Horizonte (Brazil).
[Download PDF]
- Coutinho, E., Miranda, E. R., and da Silva,
P. (2005). "Evolving Emotional Behaviour for Expressive Performance
of Music", Proceedings of Intelligent Virtual Agents 2005
(LNCS 3661 - 0497), Kos (Greece).
[Download POSTER]
- Coutinho, E., Gimenes, M., Martins, J. and
Miranda, E. R. (2005). "Computational Musicology: An Artificial
Life Approach", Proceedings of the 2nd Portuguese Workshop
on Artificial Life and Evolutionary Algorithms Workshop, Covilhã
(Portugal).
[Download PDF] [Warning: version before revision. It may contain errors.]
- Coutinho, E. Miranda, E. R. and Cangelosi,
A .(2005). "Towards a Model for Embodied Emotions", Proceedings
of the Workshop on Affective Computing: Towards Affective Intelligent
Systems (AC 2005), Covilhã (Portugal).
[Download PDF] [Warning: version before revision. It may contain errors.]
- Gimenes, M., Miranda, E. R. and Johnson, C.
(2005). "On The Learning Stages Of An Intelligent Rhythmic Generator"
(Submitted to conference).
- Gimenes, M., Miranda, E. R. and Johnson, C.
(2005). "A Memetic Approach to the Evolution of Rhythms in a Society
of Software Agents", Proceedings of the 10th Brazilian Symposium
of Musical Computation (SBCM), Belo Horizonte (Brazil)
[Download PDF]
- Gimenes, M., Miranda, E. R. and Johnson, C.
(2005). "Towards an intelligent rhythmic generator based on given
examples: a memetic approach", Proceedings of the Digital Music
Research Network Summer Conference. University of Glasgow, Glasgow,
(UK).
[Download PDF]
- Livingstone, D. and Miranda, E. (2005). "Orb3
Adaptive Interface Design for Real time Sound Synthesis &
Diffusion within Socially Mediated Spaces", Proceedings of
the 5th International Conference on New Instruments for Musical Expression
(NIME'05), Vancouver, BC, Canada.
[Download PDF]
- Livingstone, D. and Miranda, E. (2005). "ORB3
– Musical Robots within an Adaptive Social Composition System"
Proceedings of the International Computer Music Conference 2005,
Barcelona (Spain).
[Download PDF]
- Livingstone, D. and O¹Shea, C. (2005).
"Tactile Composition Systems for Collaborative Free Sound"
Proceedings of the International Computer
Music Conference 2005, Barcelona (Spain).
[Download PDF]
- Martins, J. M. and Miranda, E. R. (2005). "Societies
of rhythmic agents: A neural representation of rhythm", Proceedings
of the 10th Rhythm Perception and Production Workshop (RPPW2005),
Bilzen (Belgium)
- Martins, J. M., Gimenes, M. , Manzolli, J.
and Maia Jr, A. (2005). "Similarity Measures for Rhythmic Sequences",
Proceedings of the 10th Brazilian Symposium of Musical Computation
(SBCM), Belo Horizonte (Brazil)
[Download PDF]
- Miranda, E. R. (2004). "Artificial Life
and the Evolution of Music", Proceedings of International Symposium
on Music & Science, Coimbra, Portugal.
- Beyls, P. (2004). "Cellular Automata Mapping
Procedures". Proceedings of the International Computer Music
Conference, Miami (USA).
[Download PDF]
- Burraston, D., Edmonds, E., Livingstone, D. and Miranda,
E. R. (2004). "Cellular Automata in MIDI based Computer Music".
Proceedings of the International Computer Music Conference,
Miami (USA).
[Download PDF]
- Livingstone, D. and Miranda, E. R. (2004). "Composition
for Ubiquitous Responsive Environments", Proceedings of the
International Computer Music Conference, Miami (USA).
[Download PDF]
- Martins, J. P. M., Pereira, F., Miranda, E.
R. and Cardoso, A. (2004). "Enhancing Sound Design with Conceptual
Blending of Sound Descriptors", Proceedings of the Workshop
on Computational Creativity (CC'04) - European Conference on Case-Based
Reasoning (ECCBR), Technical Report 142-04, pp. 243-255, Universidad
Complutense de Madrid (Spain).
[Download PDF]
- Miranda, E. R. (2003). "Musical Applications
of Evolutionary Computing: From Sound Design to Evolutionary Musicology",
Proceedings of Colloquium Past, Present and Future of Technology
in Music, IPEM - Dept. of Musicology, Ghent University, Ghent,
Belgium, pp. 40-53.
- Miranda, E. R. and Todd, P. M. (2003). "A-Life
and Musical Composition: A Brief Survey", IX Brazilian Symposium
on Computer Music: Music as Emergent Behaviour, UNICAMP, Campinas,
Brazil, pp. 59-65.
- Denham, S. L. (2003). "Perception of
the direction of frequency sweeps in moving ripple noise stimuli",
Proceedings of 6th IBRO World Congress of Neuroscience - Symposium
on Plasticity of the Central Auditory System and Processing of Complex
Acoustic Signals, Prague, Czech Republic, Kluwer Academic.
- Edworthy, J. and Hellier, E. J. (2003). "Urgency
in speech warnings", Proceedings of the 8th International Congress
on Noise as a Public Health Problem, Foundation ICBEN, Schiedam,
The Netherlands, pp. 65-69.
- Hamadicharef, B. and Ifeachor, E. C. (2003).
"Objective Prediction of Sound Synthesis Quality", Proceedings
of the 115th AES Convention, New York, USA, Preprint 5958.
[Web Abstract]
Book Reviews
- Martins, J. M., Gimenes, M. and ZHANG, Q. (2005)
Book Review: "Music Query. Methods, Models and User Studies"
Edited by Walter B. Hewlett and Eleanor Selfridge-Field. Computing in
Musicology. The MIT Press. Cambridge, 2004.
[Leonardo on-line]