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Seminar Abstract 25 April 2007: It has become common to replace
a critical engagement of the computer interface with what lies behind
it: source code. The paper aims to investigate the performative dimension
of code and the potential for software to break what Hannah Arendt calls
the 'means-end chain'. A performance is characterised by its lack of an
end product, or at least a product that is indistinguishable from the
performance itself. In parallel, a computer program undermines the distinction
between its function as a score and its performance in a similar way.
It is this performative aspect that lies hidden behind the surface of
the software in terms of its potentiality for action. I will refer to
a number of examples of software art to outline the possibility of a critical
practice in this area.
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