2022
Miranda, E. R., (2022). “On Interfacing the Brain with Quantum Computers: An Approach to Listen to the Logic of the Mind”. In E. R. Miranda (Ed.), Quantum Computing in the Arts and Humanities An Introduction to Core Concepts, Theory and Applications. Cham, Switzerland: Springer.
Pre-print: https://arxiv.org/abs/2101.03887
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2021
Miranda, E. R., Braund, E., and Venkatesh, S. (2021). “On Growing Computers from Living Biological Cells.” In E. R. Miranda (Ed.), Handbook of Artificial Intelligence and Music: Foundations, Advanced Approached and Developments for Creativity. Cham: Springer.
DOI: http://doi.org/10.1007/978-3-030-72116-9_33
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2021
2021
Miranda, E. R. (2021). “Creative Music Neurotechnology.” In E. R. Miranda (Ed.), Handbook of Artificial Intelligence and Music: Foundations, Advanced Approached and Developments for Creativity. Cham: Springer.
DOI: http://doi.org/10.1007/978-3-030-72116-9_8
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2021
Kirke, A. and Miranda, E. R. (2021). “Performance Creativity in Computer Systems for Expressive Performance of Music.”. In E. R. Miranda (Ed.), Handbook of Artificial Intelligence and Music: Foundations, Advanced Approached and Developments for Creativity. Cham: Springer.
DOI: https://doi.org/10.1007/978-3-030-72116-9_19
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2021
Miranda, E. R. (2021). “Creative Quantum Computing: Inverse FFT Sound Synthesis, Adaptive Sequencing and Musical Composition. In A. Adamatzky (Ed.), Alternative Computing. Singapore: World Scientific.
Pre-print: http://arxiv.org/abs/2005.05832
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2021
Miranda, E. R. (2021). “Quantum Computer: Hello Music!”. In E. R. Miranda (Ed.), Handbook of Artificial Intelligence and Music: Foundations, Advanced Approached and. Developments for Creativity. Cham: Springer.
Pre-print: http://arxiv.org/abs/2006.13849
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2018
Miranda, E. R., and Eaton, J. (2018). “Music Neurotechnology: a natural progression”. In S. Emmerson (Ed.) The Routledge Research Companion to Electronic Music: Reaching out with Technology. Oxford: Routledge / Taylor & Francis.
2018
Miranda. E.R. (2018). “Artibiotics: An Artificial Biology Musical Experiement”. In M. Schmidt (Ed.), The Art of Antibiotics. Vienna: myMorawa.
2017
2017
Miranda, E., Kirke, A., Braund, E., and Antoine, A. (2017). “On Unconventional Computing for Sound and Music.” In Guide to Unconventional Computing for Music, pp. 23-61. Springer International Publishing.
2017
Kirke, A. (2017). “Towards a Musical Programming Language”. In E. R. Miranda (Ed.), Guide to Unconventional Computing for Music. Cham, Switzerland:Springer, pp. 245-278.
2017
Miranda, E. R., Kirke, A., Braund, E. and Antoine, A. (2017). “On Unconventional Computing for Sound and Music”. In E. R. Miranda (Ed.), Guide to Unconventional Computing for Music. Cham, Switzerland: Springer, pp. 23-62.
2017
Kirke, A. and Miranda, E. R. (2017). “Experiments in Sound and Music Quantum Computing”. In E. R. Miranda (Ed.), Guide to Unconventional Computing for Music. Cham, Switzerland: Springer, pp. 121-158.
2017
Braund, E. and Miranda, E. R. (2017). “An Approach to Building Musical Bioprocessors with Physarum polycephalum Memristors”. In E. R. Miranda (Ed.), Guide to Unconventional Computing for Music. Cham, Switzerland: Springer, pp. 219-244.
2016
Schramm, R., Nunes, H. S., Nunes. L. A., Visi, F. and Miranda, E. R. (2016). “3CMS: An Interactive Decision System for Live Performance”. In R. Kronland-Martinet et al. (Eds.) Music, Mind, and Embodiment. Lecture Notes in Computer Science 9617. Springer.
2016
Miranda, E. R. and Vinjar, A. (2016). “Recomposing Beethoven with Music Neurotechnology”. In J. Bresson et al. (Eds.) OM Composer’s Book 3. Paris: Ircam.
2016
Miranda, E. R. and Braund, E. (2016). “Experiments in Musical Biocomputing: Towards New Kinds of Processors for Audio and Music”. In: A. Adamatzky (Ed.) Advances in Unconventional Computing. London: Springer Verlag. (In press)
2015
Braund, E. and Miranda, E. (2015): “Music with Unconventional Computing: Towards a step sequencer from plasmodium of physarum polycephalum”. In: C. Johnson, A. Carballal, J. Correia (Eds.) Evolutionary and Biologically Inspired Music, Sound, Art and Design. Lecture Notes in Computer Science, vol. 9027, pp. 1526. Springer International Publishing.
2015
Braund, E., Sparrow, R., Miranda, E. (2015). “Physarum polycephalum-based Memristors for Computer Music”. In A. Adamatzky (Ed.) Advances in Slime Mould Computing. London: Springer. (In print)
2014
Eaton, J. and Miranda, E. R. (2014). “On Mapping EEG Information into Music”. In E. R. Miranda and J. Castet (Eds.) Guide to Brain-Computer Music Interfacing. Springer. SBN 978-1-4471-6583-5.
2014
Miranda, E. R. (2014). “Brain-Computer Music Interfacing: Interdisciplinary Research at the Crossroads of Music, Science and Biomedical Engineering”. In E. R. Miranda and J. Castet (Eds.) Guide to Brain-Computer Music Interfacing. Springer. ISBN 978-1-4471-6583-5.
2014
Miranda, E. R.. Lloyd, D., Josipovic, Z. and Williams, D. (2014). “Creative Music Neurotechnology with Symphony of Minds Listening”. In E. R. Miranda and J. Castet (Eds.) Guide to Brain-Computer Music Interfacing. Springer. SBN 978-1-4471-6583-5.
2014
Braund, E. and Miranda, E. R. (2014). “Music with Unconventional Computing: A System for Physarum Polycephalum Sound Synthesis”. In M. Aramaki, et al. (Eds.), Sound Music & Motion. Berlin: Springer-Verlag.
2013
Miranda, E. R. (2013). “Computer-Aided Musical Imagination.” In Light, Image, Imagination, Blassnigg, E. (Ed.). Amsterdam: Amsterdam University Press, Pp. 77 -86.
2012
Kirke, A., Miranda, E. (2012). “Pulsed Melodic Processing – the Use of Melodies in Affective Computations for Increased Processing Transparency”. In Music and Human-Computer Interaction, S. Holland, K. Wilkie, P. Mulholland and A. Seago (Eds.), London: Springer.
2012
Miranda, E. R. (2012). “On Computer-aided Composition, Musical Creativity and Brain Asymmetry.” In D. Collins (Ed.), The Act of Musical Composition: Studies in the Creative Process, pp. 215-232. Farnham: Ashgate.
2011
Rutz, H.H. (2011). “SwingOSC”, S. Wilson, D. Cottle, and N. Collins (Eds.), The SuperCollider Book. Cambridge, MA: The MIT Press.
2010
Miranda, E. R. and Kirke, A. (2010). “Game of Life Music”, In A. Adamatzky (Ed.), Game of Life Cellular Automata. London: Springer-Verlag, pp. 489-501.
2009
Miranda, E. R. (2009). “Digital Sound Synthesis for Multimedia Audio”, B. Wah (Ed.), Encyclopedia of Computer Science and Engineering. Hoboken, NJ: John Wiley & Sons
2009
Anders, T. (2009). “A Model of Musical Motifs”, In T. Klouche and T. Noll (Eds.): MCM 2007, CCIS 37, pp. 52–58. Springer-Verlag.
2008
Serquera, J. and Miranda, E. R. (2008). “Cellular automata sound synthesis: From histograms to spectograms”. In A. Adamatzky et al. (Eds.), Automata 2008: Theory and Applications of Cellular Automata. Frome (UK): Luniver Press.
2006
Todd, P. and Miranda, E. R. (2006). “Putting some (artificial) life into models of musical creativity”, I. Deliege and G, Wiggins (Eds.), Musical creativity: Multidisciplinary research in theory and practice. London, UK: Psychology Press
2005
Miranda, E. R. (2005). “Musique de la Vie Artificiel”, L. Poissant (Ed.), Art et Biotechnologies. Montreal, Canada: Presses de l’Universite du Quebec.
2005
Miranda, E. R. (2005). “On Making Music with Artificial Life Models”, In Engineering Nature: Art and Consciousness in the Post-Biological Era, R. Ascott (Ed.). Bristol, UK: Intellect.