Miranda, E. R., (2022). “On Interfacing the Brain with Quantum Computers: An Approach to Listen to the Logic of the Mind”. In E. R. Miranda (Ed.), Quantum Computing in the Arts and Humanities An Introduction to Core Concepts, Theory and Applications. Cham, Switzerland: Springer.

Pre-print: https://arxiv.org/abs/2101.03887 [ ]

Miranda, E. R., Braund, E., and Venkatesh, S. (2021). “On Growing Computers from Living Biological Cells.” In E. R. Miranda (Ed.), Handbook of Artificial Intelligence and Music: Foundations, Advanced Approached and Developments for Creativity. Cham: Springer.

DOI: http://doi.org/10.1007/978-3-030-72116-9_33 [ ]

Moffat, D. (2021). “AI Music Mixing Systems.” In E. R. Miranda (Ed.), Handbook of Artificial Intelligence and Music: Foundations, Advanced Approached and Developments for Creativity. Cham: Springer.

DOI: https://doi.org/10.1007/978-3-030-72116-9_13 [ ]

Miranda, E. R. (2021). “Creative Music Neurotechnology.” In E. R. Miranda (Ed.), Handbook of Artificial Intelligence and Music: Foundations, Advanced Approached and Developments for Creativity. Cham: Springer.

DOI: http://doi.org/10.1007/978-3-030-72116-9_8 [ ]

Kirke, A. and Miranda, E. R. (2021). “Performance Creativity in Computer Systems for Expressive Performance of Music.”. In E. R. Miranda (Ed.), Handbook of Artificial Intelligence and Music: Foundations, Advanced Approached and Developments for Creativity. Cham: Springer.

DOI: https://doi.org/10.1007/978-3-030-72116-9_19 [ ]

Miranda, E. R. (2021). “Creative Quantum Computing: Inverse FFT Sound Synthesis, Adaptive Sequencing and Musical Composition. In A. Adamatzky (Ed.), Alternative Computing. Singapore: World Scientific.

Pre-print: http://arxiv.org/abs/2005.05832 [ ]

Miranda, E. R. (2021). “Quantum Computer: Hello Music!”. In E. R. Miranda (Ed.), Handbook of Artificial Intelligence and Music: Foundations, Advanced Approached and. Developments for Creativity. Cham: Springer.

Pre-print: http://arxiv.org/abs/2006.13849 [ ]

Miranda, E. R., and Eaton, J. (2018). “Music Neurotechnology: a natural progression”. In S. Emmerson (Ed.) The Routledge Research Companion to Electronic Music: Reaching out with Technology. Oxford: Routledge / Taylor & Francis.

Miranda. E.R. (2018). “Artibiotics: An Artificial Biology Musical Experiement”. In M. Schmidt (Ed.), The Art of Antibiotics. Vienna: myMorawa.

Kirke, A. (2017). “Toward a Musical Programming Language”. In E. R. Miranda (Ed.), Guide to Unconventional Computing for Music, pp. 245-278. Cham: Springer

DOI: http://doi.org/10.1007/978-3-319-49881-2_9 [ PEARL ]

Miranda, E., Kirke, A., Braund, E., and Antoine, A. (2017). “On Unconventional Computing for Sound and Music.” In Guide to Unconventional Computing for Music, pp. 23-61. Springer International Publishing.

Kirke, A. (2017). “Towards a Musical Programming Language”. In E. R. Miranda (Ed.), Guide to Unconventional Computing for Music. Cham, Switzerland:Springer, pp. 245-278.

Miranda, E. R., Kirke, A., Braund, E. and Antoine, A. (2017). “On Unconventional Computing for Sound and Music”. In E. R. Miranda (Ed.), Guide to Unconventional Computing for Music. Cham, Switzerland: Springer, pp. 23-62.

Kirke, A. and Miranda, E. R. (2017). “Experiments in Sound and Music Quantum Computing”. In E. R. Miranda (Ed.), Guide to Unconventional Computing for Music. Cham, Switzerland: Springer, pp. 121-158.

Braund, E. and Miranda, E. R. (2017). “An Approach to Building Musical Bioprocessors with Physarum polycephalum Memristors”. In E. R. Miranda (Ed.), Guide to Unconventional Computing for Music. Cham, Switzerland: Springer, pp. 219-244.

Schramm, R., Nunes, H. S., Nunes. L. A., Visi, F. and Miranda, E. R. (2016). “3CMS: An Interactive Decision System for Live Performance”. In R. Kronland-Martinet et al. (Eds.) Music, Mind, and Embodiment. Lecture Notes in Computer Science 9617. Springer.

Miranda, E. R. and Vinjar, A. (2016). “Recomposing Beethoven with Music Neurotechnology”. In J. Bresson et al. (Eds.) OM Composer’s Book 3. Paris: Ircam.

Miranda, E. R. and Braund, E. (2016). “Experiments in Musical Biocomputing: Towards New Kinds of Processors for Audio and Music”. In: A. Adamatzky (Ed.) Advances in Unconventional Computing. London: Springer Verlag. (In press)

Braund, E. and Miranda, E. (2015): “Music with Unconventional Computing: Towards a step sequencer from plasmodium of physarum polycephalum”. In: C. Johnson, A. Carballal, J. Correia (Eds.) Evolutionary and Biologically Inspired Music, Sound, Art and Design. Lecture Notes in Computer Science, vol. 9027, pp. 15­26. Springer International Publishing.

Braund, E., Sparrow, R., Miranda, E. (2015). “Physarum polycephalum-based Memristors for Computer Music”. In A. Adamatzky (Ed.) Advances in Slime Mould Computing. London: Springer. (In print)

Eaton, J. and Miranda, E. R. (2014). “On Mapping EEG Information into Music”. In E. R. Miranda and J. Castet (Eds.) Guide to Brain-Computer Music Interfacing. Springer. SBN 978-1-4471-6583-5.

Miranda, E. R. (2014). “Brain-Computer Music Interfacing: Interdisciplinary Research at the Crossroads of Music, Science and Biomedical Engineering”. In E. R. Miranda and J. Castet (Eds.) Guide to Brain-Computer Music Interfacing. Springer. ISBN 978-1-4471-6583-5.

Miranda, E. R.. Lloyd, D., Josipovic, Z. and Williams, D. (2014). “Creative Music Neurotechnology with Symphony of Minds Listening”. In E. R. Miranda and J. Castet (Eds.) Guide to Brain-Computer Music Interfacing. Springer. SBN 978-1-4471-6583-5.

Braund, E. and Miranda, E. R. (2014). “Music with Unconventional Computing: A System for Physarum Polycephalum Sound Synthesis”. In M. Aramaki, et al. (Eds.), Sound Music & Motion. Berlin: Springer-Verlag.

Miranda, E. R. (2013). “Computer-Aided Musical Imagination.” In Light, Image, Imagination, Blassnigg, E. (Ed.). Amsterdam: Amsterdam University Press, Pp. 77 -86.

Kirke, A., Miranda, E. (2012). “Pulsed Melodic Processing – the Use of Melodies in Affective Computations for Increased Processing Transparency”. In Music and Human-Computer Interaction, S. Holland, K. Wilkie, P. Mulholland and A. Seago (Eds.), London: Springer.

Miranda, E. R. (2012). “On Computer-aided Composition, Musical Creativity and Brain Asymmetry.” In D. Collins (Ed.), The Act of Musical Composition: Studies in the Creative Process, pp. 215-232. Farnham: Ashgate.

Rutz, H.H. (2011). “SwingOSC”, S. Wilson, D. Cottle, and N. Collins (Eds.), The SuperCollider Book. Cambridge, MA: The MIT Press.

Miranda, E. R. and Kirke, A. (2010). “Game of Life Music”, In A. Adamatzky (Ed.), Game of Life Cellular Automata. London: Springer-Verlag, pp. 489-501.

Miranda, E. R. (2009). “Digital Sound Synthesis for Multimedia Audio”, B. Wah (Ed.), Encyclopedia of Computer Science and Engineering. Hoboken, NJ: John Wiley & Sons

Anders, T. (2009). “A Model of Musical Motifs”, In T. Klouche and T. Noll (Eds.): MCM 2007, CCIS 37, pp. 52–58. Springer-Verlag.

Serquera, J. and Miranda, E. R. (2008). “Cellular automata sound synthesis: From histograms to spectograms”. In A. Adamatzky et al. (Eds.), Automata 2008: Theory and Applications of Cellular Automata. Frome (UK): Luniver Press.

Todd, P. and Miranda, E. R. (2006). “Putting some (artificial) life into models of musical creativity”, I. Deliege and G, Wiggins (Eds.), Musical creativity: Multidisciplinary research in theory and practice. London, UK: Psychology Press

Miranda, E. R. (2005). “Musique de la Vie Artificiel”, L. Poissant (Ed.), Art et Biotechnologies. Montreal, Canada: Presses de l’Universite du Quebec.

Miranda, E. R. (2005). “On Making Music with Artificial Life Models”, In Engineering Nature: Art and Consciousness in the Post-Biological Era, R. Ascott (Ed.). Bristol, UK: Intellect.