Mead, C., Hearle, D. and Miranda, E. R. (2021). “Mayflower & The Seven Seas: Sonification of The Ocean”. Proceedings of Audio Engineering Society Convention 151, October 2021.

Publication Link [ PEARL ]

Gozel, S., Brewster, S., Venkatesh, S., Moffat, D., Kirke, A. Miranda, E., Banerjee, S., Street, A., Fachner, J., and Odell-Miller H. (2021), “RadioMe: Challenges During the Development of a Real Time Tool to Support People With Dementia.” Proceedings of Conference on Human Factors in Computing Systems (CHI), Yokohama Japan May 8 – 13, 2021.

DOI: http://dl.acm.org/doi/proceedings/10.1145/3411763 [ ]

Venkatesh, S., Moffat, D., Kirke, A., Shakeri, G., Brewster, S., Fachner, J., Odell-Miller, H., Street, A., Farina, N., Banerjee, S., and Miranda, E. R. (2021). “Artificially Synthesising Data for Audio Classification and Segmentation to Improve Speech and Music Detection in Radio Broadcast”. IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). 636-640.

DOI: http://doi.org/10.1109/ICASSP39728.2021.9413597 [ PEARL ]

Mead, C., Moffat, D. and Miranda, E. R., 2020, October. Composing, Recording and Producing with Historical Equipment and Instrument Models. In Audio Engineering Society Convention 149. Audio Engineering Society.

Publication Link [ PEARL ]

Horrell, R. (2020). “Music and the Brain: Composing Music with Electroencephalogram”. In Proceedings of the 7th International Conference on New Music Concepts (ICNMC-2020). Treviso, Italy. (March 14-15, 2020).

Lefford, M. L., Bromham, G., and Moffat, D., “Mixing with Intelligent Mixing Systems: Evolving Practices and Lessons from Computer Assisted Design”. In Proceedings of 148th Audio Engineering Society Convention. Vienna, Austria. May 2020. (in press)

Publication link [ PEARL ]

Venkatesh, S., Braund, E. and Miranda, E. R. (2020). “Composing Popular Music with Physarum polycephalum-based Memristors”. In Proceedings of the International Conference on New Interfaces for Musical Expression. The Royal Birmingham Conservatoire. 514-519.

Publication Link [ PEARL ]

Venkatesh, S., Braund, E. and Miranda, E. R. (2020). “Designing Brain-computer Interfaces for Sonic Expression”. In Proceedings of the International Conference on New Interfaces for Musical Expression. The Royal Birmingham Conservatoire. 525-530.

Publication Link [ PEARL ]

Venkatesh, S., Moffat, D. and Miranda, E. R. (2019). “RadioMe: Artificially Intelligent Radio for People with Dementia”. DMRN+14: Digital Music Research Network Workshop.

Gimenes, M. (2018). “Sonic Crossings with Audience Participation: The Embodied iSound Performance”. In Proceedings of the Sound and Music Computing Conference (SMC-2018). Limassol, Cyprus.

Hurban, H., Miranda, E. R. and Braund, E. (2018). “Dervish Sound Dress; a development of a musical interface garment which explores wearable technology using sound and haptic feedback for performance and interaction”. In Proceedings of the Sound and Music Computing Conference (SMC-2018). Limassol, Cyprus.

Gimenes, M. (2018). “Experiments on collective decision-making and musical metacreative performances with audience participation”. In Proceedings of the International Workshop on Musical Metacreation, International Conference on Computational Creativity. Salamanca, Spain.

Antoine, A. and Miranda, E. R. (2018). “Predicting Timbral and Perceptual Characteristics of Orchestral Instrument Combinations”. The Journal of the Acoustical Society of America, 143(3): 1747. (Conference Abstract)

Miranda, E. R., Antoine, A., Celerier, J-M. and Desainte-Catherine, M. (2018). “i-Berlioz : Interactive Computer-Aided Orchestration with Temporal Control”, In Proceedings of 5th International Conference on New Music Concepts (ICNMC 2018). Treviso, Italy.

Antoine, A., Miranda, E. R., Celerier, J-M. and Desainte-Catherine, M. (2018). “Generating Orchestral Sequences with Timbral Descriptors”. In Proceedings of Timbre 2018: Timbre Is A Many Splendored Thing. Montréal, Canada.

Meenakshisundaram, S., Miranda, E. R. and Kaimi, I. (2016). “Factors Influencing Vocal Pitch in Articulatory Speech Synthesis: A Study Using PRAAT”, Proceedings of the Sound and Music Computing Conference (SMC 2016) 31 August – 3 September, Hamburg, Germany, 2016.

Visi, F., Miranda, E.R., (2016). “Instrumental Movements to Physical Models: Mapping Postural and Sonic Topologies through Machine Learning”. In Proceedings of Porto International Conference on Musical Gesture as Creative Interface, 2016.

Gimenes, M., P.-E. Largeron and E. R. Miranda (2016). “Frontiers: Expanding Musical Imagination with Audience Participation”. In Proceedings on New Interfaces for Musical Expression Coonference (NIME 2016). Brisbane, Australia.

Daly, I., Williams, D., Kirke, A., Weaver, J., Malik, A., Hwang, F., Eaton, J., Miranda E.R., Nasuto, S.J., (2016). “An affective brain-computer music interface” International Brain-Computer Interface (BCI) Meeting, California, USA, May 30–June 3 2016

Antoine, A., and Miranda, E. (2016). “A User-Centric Algorithmic Composition System”, Proceedings of the 2nd International Conference on New Music Concepts (ICNMC2016). Treviso, Italy. (March 5-6, 2016)

McLoughlin, M., Lamoni, L., Garland, E., Ingram, S., Noad, M., Rendell, L., Kirke, A., Miranda, E.R., (2016). “Adapting a Computational Multi Agent Model for Humpback Whale Song Research for use as a Tool for Algorithmic Composition.” In Proceedings of the Sound and Music Computing Conference, 31 August – 3 September, Hamburg, Germany, 2016

Bonet, N., Kirke, A., Miranda, E.R., (2016). “Blyth – Eastbourne – Wembury: Sonification as a compositional tool in electroacoustic music.” In Proceedings of the 2nd International Conference on New Musical Concepts, Treviso, Italy, 5-6th March 2016.

Bonet, N., Kirke, A., Miranda, E.R., (2016). “Sonification of Dark Matter: Challenges and Opportunities.” In Proceedings of the Sound and Music Computing Conference, 31 August – 3 September, Hamburg, Germany, 2016

Williams, D.,(2016). “Acoustic fingerprints from Trevor Jones’ Dark City found in Hans Zimmers’ Inception.” Music for Audio-Visual Media Conference II, Leeds University, Leeds University, UK, 20-22 June 2016.

Antoine, A., Williams, D., Miranda, E.R. (2016). “Towards a Timbral Classification System for Musical Excerpts”. Proceedings of the 2nd AES Workshop on Intelligent Music Production, London, UK, 13 September 2016.

Kirke, A., Miranda, E., Rendell, L. and Ingram, S. (2015). “Towards modelling humpback whale song evolution using multi-agent systems”, Proceedings of Transdisciplinary Approaches to Cognitive Innovation. Paper presented at the Off the Lip, 7-11.

Publication Link [ PEARL ]

Visi, F., Coorevits, E., Schramm, R. and Miranda, E. R. (2015). “Instrumental Movements of Neophytes: Analysis of Movement Periodicities, Commonalities and Individualities in Mimed Violin Performance”, Proceedings of 11th International Symposium on Computer Music Multidisciplinary Research (CMMR) Music, Mind, and Embodiment. Plymouth University, Plymouth, United Kingdom.

Williams, D., Kirke, A., Miranda, E. R., Daly, I., Hallowell, J., Hwang, F., Malik, A., Roesch, E., Weaver, J. and Nasuto, S. J., (2015). “Dynamic Game Soundtrack Generation in Response to a Continuously Varying Emotional Trajectory”. Proceedings for 56th Audio Engineering Society Conference (AES56 – Audio For Games). Queen Mary University of London, UK, February 10-13.

Williams, D., Kirke, A., Miranda, E. R., Daly, I., Hallowell, J., Hwang, F., Malik, A., Roesch, E., Weaver, J., and Nasuto, S. J., (2015). “Affective calibration of a computer aided composition system by listener evaluation”, Proceedings of 9th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM2015). Royal Northern College of Music, Manchester, UK, 17-22 August.

Eaton, J. Miranda, E. 2015. The Hybrid BCMI – Integrating Brainwave Detection Methods for Extended Control in Musical Systems. 11th International Symposium on Computer Music Multidisciplinary Research (CMMR): Music, Mind, Embodiment. Plymouth, UK.

Kirke, A., Dixon, B. and Miranda, E. (2015). “Music and Dementia: Two Case-studies”, Proceedings of 11th International Symposium on Computer Music Multidisciplinary Research. Plymouth University, Plymouth, UK.

Miranda, E. R. (2015). “Enhancing the Social Impact of Contemporary Music with Neurotechnology”, Proceedings of 4th International Society for Information Studies Summit. Vienna, Austria.

Daly, I., Williams, D., Hwang, F., Kirke, A., Malik, A., Roesch, E., Weaver, J., Miranda, E. R., Nasuto, S. J., (2015). “Identifying music-induced emotions from EEG for use in brain-computer music interfacing”, Proceedings of 4th Workshop on Affective Brain-Computer Interfaces at the 6th International Conference on Affective Computing and Intelligent Interaction (ACII2015). Xi’an, China, 21-25 September 2015.

Williams, D., Kirke, A., Miranda, E. R., Daly, I., Hallowell, J., Hwang, F., Malik, A., Weaver, J., Nasuto, S. J. (2015). “Affective calibration of a computer aided composition system by listener evaluation”, Proceedings of the Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM). Royal Northern College of Music, Manchester, UK, 17-22 August 2015.

Daly, I., Williams, D., Hwang, F., Kirke, A., Malik, A., Roesch, E., Weaver, J., Miranda, E. R., Nasuto, S. J., (2015). “Towards Human-Computer Music Interaction: Evaluation of an Affectively-Driven Music Generator Via Galvanic Skin Response Measures”, Proceedings of IEEE 7th Computer Science & Electronic Engineering Conference (CEEC’15). Essex, UK, 24-25 September 2015.

Kirke, A., E. Miranda, L. Rendell, and S. Ingram. 2015. Towards Modelling Humpback Whale Song Evolution using Multi-agent Systems. Proceedings of Transdisciplinary Approaches to Cognitive Innovation. In: Off the Lip 2015, 7-11 September, Plymouth (UK)

Drayton, J. and Miranda, E.R. (2015). “Towards an Evolutionary Computational Approach to Articulatory Vocal Synthesis with PRAAT”, Proceedings of EvoMUSART 2014 – Evolutionary and Biologically Inspired Music, Sound, Art and Design, pp. 62-70. Copenhagen, Denmark.

Williams, D. and Wilson, L.G., (2015). “Evaluating apparatus for musification of P. berghei micro-organism motility with synchronous 3D holography”, Proceedings of 11th International Symposium on Computer Music Multidisciplinary Research (CMMR2015). Plymouth University, Plymouth, UK.

Williams, D., Kirke, A., Miranda, E. R., (2015). Evaluating the affective potential of a computer-aided composition system in 2-Dimensions. Off The Lip Transtechnology Conference, Plymouth, Devon UK, 9-11 September, 2015.

Antoine, A. and Miranda, E. R. (2015). “Towards Intelligent Orchestration Systems”, Proceedings of 11th International Symposium on Computer Music Multidisciplinary Research (CMMR): Music, Mind, and Embodiment. Plymouth University, Plymouth, UK.

Williams, D., Wilson, L.G., (2015). “Multi-criteria decision aid analysis of a musification approach to the auditory display of micro-organism movement.” Proceedings of the 139th Audio Engineering Society Convention (AES139). New York, NY, USA, October 29-31 2015.

Schramm, R., de Nunes, H. S., de Nunes, L. A., Visi, F., and Miranda, E. (2015). “One Micro Song, Three Ends: an approach for musical composition and an interactive decision machine based on expressive live performance”, Proceedings of 11th international symposium on computer music multidisciplinary research (CMMR 2015), pp. 190-197. Plymouth, United Kingdom.

Williams, D., Wilson, L.G., (2015). “Multi-criteria decision aid analysis of a musification approach to the auditory display of micro-organism movement.” Proceedings of the 139th Audio Engineering Society Convention (AES139). New York, NY, USA, October 29-31 2015.

Williams, D., (2015). “Affective potential in vocal production.” Proceedings of the 139th Audio Engineering Society Convention (AES139). New York, NY, USA, October 29-31 2015.

Williams, D., (2015). “Developing a timbrometer: perceptually-motivated audio signal metering.” Proceedings of the 139th Audio Engineering Society Convention (AES139). New York, NY, USA, October 29-31 2015.

Kirke, A. and Miranda, E. (2015). “IMUSIC: Programming Non-Music Applications with Music”, Proceedings of 11th International Symposium on Computer Music Multidisciplinary Research, Plymouth University, Plymouth, UK.

Braund, E. and Miranda, E. (2015). “Music with Unconventional Computing: Granular Synthesis with the Biological Computing Substrate Physarum polycephalum”. Proceedings of 11th Computer Music Multidisciplinary Research (CMMR): Music, Mind, and Embodiment. Plymouth University, Plymouth, UK.

Visi, F., Coorevits, E., Miranda, E. R. and Leman, M. (2014). “Effects of different bow stroke styles on body movements of a viola player: an exploratory study”, Proceedings of the joint ICMC|SMC|2014 conference, Athens, Greece.

Eaton, J. Williams, D. Miranda, E. (2014). “Affective Jukebox: A Confirmatory Study of EEG Emotional Correlates in Response to Musical Stimuli”. Proceedings of Joint ICMC | SMC 2014 | 11th Sound and Music Conference |14th International Computer Music Conference, University of Athens, Greece.

Eaton, J. Jin, W. Miranda, E. (2014). “The Space Between Us. A live performance with musical score generated via emotional levels measured in EEG of one performer and an audience member”. Proceedings of New Interfaces for Musical Expression (NIME), London, UK.

Visi, F., Williams, D., Dothel, G., and Miranda, E. R. (2014). “Musification of ALS Pathophysiology: Notes on Timbre and Spatialisation in Unfolding | Clusters,” Proceedings of the 9th conference on interdisciplinary musicology (CIM 14). Berlin, Germany.

aton, J. and Miranda, E. (2014). “Expanding on Brain Control: A Real-Time Hybrid BCMI for Drum Machine Combining Active (SSVEP) and Passive (Affective Response) Brainwave Control”, Proceedings of 9th Conference of Interdisciplinary Musicology (CIM14). Berlin, Germany.

Schramm, R., de Souza Nunes, H., Antoine, A. and Miranda, E. R. (2014). “A Generative System for the Creation of New Songs from Portuguese Prosody”, Proceedings of 9th Conference on Interdisciplinary Musicology (CIM14). Berlin, Germany.

Williams, D., Kirke, A., Miranda, E. R., Daly, I., Hallowell, J., Hwang, F., Malik, A., Roesch, E., Weaver, J., Nasuto, S. J. (2014). “Evaluating perceptual separation in a pilot system for affective composition.” Proceedings of the Joint 40th International Computer Music Conference / 13th Sound and Music Computing Conference. Athens, Greece.

Williams, D. (2014). “Brazilian Capoeirista and Thai Sarama: Ritual and form in the musical accompaniment of two seemingly disparate martial arts.” Joint Annual Conference of the British Forum for Ethnomusicology (BFE 2014) and Third International Conference on Analytical Approaches to World Music (AAWM 2014). School of Oriental and Asian Studies (SOAS), University of London. London, UK, 1st – 4th July 2014

Braund, E. and Miranda, E. R. (2014) “Unconventional Computing in Music”, Proceedings of the 9th Conference on Interdisciplinary Musicology (CIM14). Berlin, Germany.

Kirke, A., Gentile, O., Visi, F. and Miranda, E. (2014). “MIMED – Proposal For A Programming Language At The Meeting Point Between Choreography, Music And Software Development”, Proceedings of the 2014 Conference on Interdisciplinary Musicology (CIM14). Berlin, Germany.

Kirke, A., Shadbolt, P., Neville, A., Antoine, A. and Miranda, E. (2014). “Q-Muse: A Quantum Computer Music System Designed For A Performance For Orchestra, Electronics And Live Internet-Connected Photonic Quantum Computer”, Proceedings of the 2014 Conference on Interdisciplinary Musicology (CIM14). Berlin, Germany.

Kirke, A. and Miranda, E. R. (2013). ” Towards Harmonic Extensions of Pulsed Melodic Affective Processing – Further Musical Structures for Increasing Transparency in Emotional Computation”, Proceedings of 1st AISB Symposium on Music and Unconventional Computing (AISB 2013), Exeter University, Exeter, UK.

Kirke, A. and Miranda, E. R. (2013). ” Towards Harmonic Extensions of Pulsed Melodic Affective Processing – Further Musical Structures for Increasing Transparency in Emotional Computation”, Proceedings of 1st AISB Symposium on Music and Unconventional Computing (AISB 2013), Exeter University, Exeter, UK.

Kirke, A., Miranda, E. R. and Nasuto, S. J. (2013) “Learning To Make Feelings: Expressive Performance as a Part of a Machine Learning Tool for Sound-Based Emotion Control”, Lecture Notes in Computer Science, Vol. 7900, pp. 490-499. Heidelberg: Springer.

Kirke, A., Miranda, E. R. and Nasuto, S. J. (2013) “Learning To Make Feelings: Expressive Performance as a Part of a Machine Learning Tool for Sound-Based Emotion Control”, Lecture Notes in Computer Science, Vol. 7900, pp. 490-499. Heidelberg: Springer.

Kirke, A., Miranda, E. R. and Nasuto, S. J. (2013) “Artificial affective listening towards a machine learning tool for sound-based emotion therapy and control”, Proceedings of 2013 Sound and Music Computing Conference, p.259, Stockholm, Sweden.

Eaton, J. and Miranda, E. R. (2013). “Real-Time Brainwave Control for Live Performance”, Proceedings of 10th International Symposium on Computer Music Multidisciplinary Research (CMMR): Sound, Music and Motion, Marseille, France.

Eaton, J. and Miranda, E. R. (2013). “Real-time notation using brainwave control”, Proceedings of the 2013 Sound and Music Computing Conference, Proceedings of 2013 Sound and Music Computing Conference, Stockholm, Sweden.

Kirke, A. and Miranda, E. (2013). “Emotional and Multi-agent Systems in Computer-aided Writing and Poetry”, Proceedings of 2013 Symposium on Artificial Intelligence and Poetry (AISB 2013), Exeter University, Exeter, UK.

Kirke, A., Eaton, J. and Miranda, E. R. (2013) .”Real-time hallucination sonification and simulation through user-led development of an iPad augmented reality system”, Proceedings of 2013 Sound and Music Computing Conference, p.517, Stockholm, Sweden.

Kirke, A. and Miranda, E. R. (2013). “Unconventional Computation and Teaching – Proposal for MUSIC, a Tone-Based Scripting Language for Accessibility, Computation and Teaching”, Proceedings of 1st AISB Symposium on Music and Unconventional Computing (AISB 2013), Exeter University, Exeter, UK.

Braund, E. and Miranda, E. R. (2013). “Music with Unconventional Computing: Towards a Platform for Physarum Polycephalum Sound Synthesis”, Proceedings of 10th International Symposium on Computer Music Multidisciplinary Research (CMMR): Sound, Music and Motion, Marseille, France..

Miranda, E. R. (2013). “Harnessing the Intelligence of Physarum Polycephalum for Unconventional Computing-Aided Musical Composition”, Proceedings of 1st AISB Symposium on Music and Unconventional Computing (AISB 2013), Exeter University, Exeter, UK.

Kirke, A. and Miranda, E. R. (2012). “Application of Pulsed Melodic Affective Processing to Stock Market Algorithmic Trading and Analysis”. Proceedings of 9th International Symposium on Computer Music Modeling and Retrieval – CMMR2010, London (UK).

Eaton, J. and Miranda, E. R. (2012). “New Approaches in Brain-Computer Music Interfacing: Mapping EEG for Real-Time Musical Control”. Proceedings of Music, Music and Invention Workshop, The College of New Jersey, Ewing NJ (USA).

Rutz, H. H. (2012). “A Reactive, Confluently Persistent Framework for the Design of Computer Music Systems”. Proceedings of the 9th Sound and Music Computing Conference – SMC2012, Copenhagen (Denmark).

Rutz, H. H. (2012). “Sound Similarity as Interface Between Human and Machine Electroacoustic Composition”. Proceedings of 2012 International Computer Music Conference – ICMC2012, Ljubljana (Slovenia).

Miranda, E. R., and Serquera, J. (2011). “Cellular Automata Dynamic Control for Sound Design with Histogram Mapping Synthesis and the Multitype Voter Model”, Proceedings of International Computer Music Conference (ICMC 2011), Huddersfield (UK).

Norowi, N. M. and Miranda, E. R. (2011). “Prioritizing Audio Features Selection Using Analysis Hierarchy Process as a Mean to Extend User Control in Concatenative Sound Synthesis”, Proceedings of International Computer Music Conference (ICMC 2011), Huddersfield (UK).

Rutz, H. H., Miranda, E. and Eckel, G. (2011). “Reproducibility and Random Access in Sound Synthesis”, Proceedings of International Computer Music Conference (ICMC 2011), Huddersfield (UK).

Kirke, A. and Miranda, E. R. (2011). “Developing Methods for Computer Programming by Musical Performance and Composition”, Proceedings of International Computer Music Conference (ICMC 2011), Huddersfield (UK).

Kirke, A., Bonnot, M. and Miranda, E. R. (2011). “Towards using Expressive Performance Algorithms for Typist Emotion Detection”, Proceedings of International Computer Music Conference (ICMC 2011), Huddersfield (UK).

Kirke, A. and Miranda, E. R. (2011). “Combining EEG Frontal Asymmetry Studies with Affective Algorithmic Composition and Expressive Performance Models”, Proceedings of International Computer Music Conference (ICMC 2011), Huddersfield (UK).

Kirke, A. and Miranda, E. R. (2011). “Emergent Construction of Melodic Pitch and Hierarchy Through Agents Communicating Emotion Without Melodic Intelligence”, Proceedings of International Computer Music Conference (ICMC 2011), Huddersfield (UK).

Rutz, H. H. (2011). “Limits of Control”, Proceedings of Sound and Music Computing Conference (SMC 2011), Padova (Italy).

Kirke, A., Freeman, S., Miranda, E. and Ingram, S. (2011). “Application of Multi-Agent Whale Modelling to an Interactive Saxophone and Whale Duet”, Proceedings of International Computer Music Conference (ICMC 2011), Huddersfield (UK).

Kirke, A., Miranda, E., Chiaramonte, A., Troisi, A. R., Matthias, J., Radtke, J., Fry, N., McCabe, C. and Bull, M. (2011). “Cloud Chamber: A Performance Involving Real Time Two-way Interaction Between Subatomic Radioactive Particles and Violinist”, Proceedings of International Computer Music Conference (ICMC 2011), Huddersfield (UK).

Bessell, D. (2011). “Ophidian and the Uncanny Valley”, Proceedings of International Computer Music Conference (ICMC 2011), Huddersfield (UK).

Miranda, E. R., Adamatzky, A. and Jones, J. (2011). “Unconventional Computing for Music: Sound Synthesis with Slime Mould”, Proceedings of International Computer Music Conference (ICMC 2011), Huddersfield (UK).

Miranda, E. R., Nasuto, S. J., Troisi, A. R., Downes, J., Chiaramonte, A., Spencer, M., Hammond, M., Xydas, D., Whalley, B., Becerra, V. and Warwick, K. (2011). “A Musical Instrument using In Vitro Neural Networks”, Proceedings of International Computer Music Conference (ICMC 2011), Huddersfield (UK).

Serquera, J. and Miranda, E. R. (2010). “Cellular Automata Sound Synthesis with an Extended Version of the Mutitype Voter Model”, Proceedings of the 128th Convention of the AES, London (UK).

Serquera, J. and Miranda, E. R. (2010). “Evolutionary Sound Synthesis: Rendering Spectrograms from Cellular Automata Histograms”, Proceedings of 8th European event on Evolutionary and Biologically Inspired Music, Sound, Art and Design (EvoMUSART 2010), Istanbul (Turkey).

Flores, L., Miletto, E., Pimenta, M., Miranda, E. and Keller D. (2010). “Musical Interaction Patterns: Communicating Computer Music Knowledge in a Multidisciplinary Project”, Proceedings of ACM SIGDOC 2010, September 27–29, 2010, S. Carlos, SP, Brazil.

McCracken, K., Matthias, J. and Miranda, E. R. (2010). “Neurogranular Synthesis: Granular Synthesis Controlled by a Pulse-coupled Network of Spiking Neurons”, Proceedings of EvoApplications 2011, Torino, Italy. Lecture Notes in Computer Science 6625. Heidelberg: Springer-Verlag.

Rutz, H. H. (2010). “Rethinking the SuperCollider Client…”, Proceedings of the SuperCollider 2010 Symposium, September 23-26, Berlin, Germany.

Rutz, H. H., Miranda, E. and Eckel, G. (2010). “On the Traceability of the Compositional Process”, Proceedings of 7th Sound and Music Computing Conference – SMC2010, July 21-24, Barcelona, Spain.

Serquera, J. and Miranda, E. R. (2010). “Algorithmic Sound Composition using Coupled Cellular Automata”, Proceedings of 3rd Chaotic Modeling and Simulation International Conference (CHAOS2010), Chania, Crete (Greece).

Jones, D., Hogson, T., Grant, J., Matthias, J., Outram, N., Ryan, N., (2009). “The Fragmented Orchestra”, Proceedings of 9th International Conference on New Instruments for Musical Expression (NIME’09). Pittsburgh, PI, USA.

Anders, T., and Miranda, E. R. (2009). “A Computational Model that Generalises Schoenberg’s Guidelines for Favourable Chord Progressions”, Proceedings of Sound and Music Computing (SMC 2009), Porto, Portugal.

Anders, T., Miranda, E.R. (2009). “A Computational Model that Generalises Schoenberg’s Guidelines for Favourable Chord Progressions”, In 6th Sound and Music Computing Conference. Porto, Portugal.

Jones, D., Matthias, J., Hodgson, T., Outram, N., Grant, J. and Ryan, N. (2009). “The Fragmented Orchestra”, Proceedings of New Interfaces for Musical Expression (NIME 2009) Conference, Carnegie Mellon University, Pittsburgh (PA), USA.

Serquera, J. and Miranda, E. R. (2008). “Spectral Synthesis and Control with Cellular Automata”, Proceedings of International Computer Music Conference – (ICMC2008), Belfast (UK).

Kirke, A. and Miranda, E. R. (2008). “COMPER: Towards a Model for Generating Compositions from Expressive Music Performances”, Proceedings of International Computer Music Conference – (ICMC2008), Belfast (UK).

Kirke, A. and Miranda, E. R. (2008). “An Instance Based Model for Generating Expressive Performance During Composition”, Proceedings of International Computer Music Conference – (ICMC2008), Belfast (UK).

Costalonga, L., Vicari, R. M. and Miletto, E. (2008). “Agent-Based Guitar Performance Simulation”, Journal of the Brazilian Computer Society, Vol. 4 Nr. 3.

Costalonga, L. and Miranda, E. R. (2008). “Equipping Artificial Guitar Players with Biomechanical Constraints: A Case Study of Precision and Speed”, Proceedings of International Computer Music Conference – (ICMC2008), Belfast (UK).

Durrant, S., Miranda, E. R., Brechmann, A. and Scheich, H. (2008). “Cortical Processing of Tonality”. Poster presented at The Neurosciences and Music III, 25-28 June, McGill University, Montreal.

Grant, J., Matthias, J., Hodgson, T. and Miranda, E. (2008). “Hearing Thinking”, Poster presented at EvoMUSART – Sixth European Workshop on Evolutionary and Biologically Inspired Music, Sound, Art and Design, Napoli, Italy. (Unfortunately, this paper did not appear in the proceedings due to a problem with the submission system.)

Brechmann, A., Durrant, S., Scheich, H. and Miranda, E. R. (2008). “Activation in auditory cortex correlates with the distance of musical key change”, Proceedings of 6th Forum of the Foundation of European Neuroscience Societies, FENS – Abstract Vol. 4, Geneva (Switzerland).

Miranda, E. R., Durrant, S. and Anders, T. (2008). “Towards Brain-Computer Music Interfaces: Progress and Challenges”, Proceedings of International Symposium on Applied Sciences in Bio-Medical and Communication Technologies (ISABEL2008), Aalborg (Denmark).

Miranda, E. R. and Soucaret, V. (2008). “Mix-It-Yourself with a Brain-Computer Music Interface”, Proceedings of 7th ICDVRAT with ArtAbilitation. Maia/Porto (Portugal).

Miranda, E. R. (2008). “Autonomous Development of Singing-Like Intonations by Interacting Babbling Robots”, Proceedings of International Computer Music Conference – (ICMC2008), Belfast (UK).

Martins, J. and Miranda, E. R. (2008). “Breeding Rhythms with Artificial Life”, Proceedings of 5th Sound and Music Computing Conference, Berlin. Germany.

Gimenes, M. and Miranda, E. R. (2008). “An A-Life Approach to Machine Learning of Musical Worldviews for Improvisation Systems”, Proceedings of 5th Sound and Music Computing Conference, Berlin. Germany.

Beyls, P. (2008). “On-line Development of Man-Machine Relationships: Motivation-driven Musical Interaction”, Proceedings of Generative Arts 2008, Milan (Italy).

Zhang, Q. and Miranda, E. R. (2008). “Multi-Agent Simulation for Generating Expressive Music Performance”, Proceedings of World Congress on Social Simulation (WCSS2008), Fairfax (USA).

Percival, G., Anders, T. and Tzanetakis, G. (2008). “Generating Targeted Rhythmic Exercises for Music Students with Constraint Satisfaction Proramming”, Proceedings of International Computer Music Conference – (ICMC2008), Belfast (UK).

Anders, T. and Miranda, E. R. (2008). “Constraint-Based Composition in Realtime”, Proceedings of International Computer Music Conference – (ICMC2008), Belfast (UK).

Anders, T. and Miranda, E. R. (2008). “Higher-Order Constraint Applications for Music Constraint Programming”, Proceedings of International Computer Music Conference – (ICMC2008), Belfast (UK).

Costalonga, L., Miranda, E. and Miletto, E. (2007). Octopus Music API: Modellling Musical Performance. Proceedings of SBCM 2007, Sao Paulo (Brazil).

Miranda, E. R. (2007). “A Neurotechnology Approach to the Analysis of Electroacoustic Music: A Proposition”. Proceedings of AHRC ICT Methods Network Workshop, De Montfort University, Leicester, UK, 12 June 2007. (Invited Talk; Not peer-reviewed)

Knast, A., Miranda, E. R. and Denham, S. (2007). “Commonalities between F2 distribution and musical timbre”, Poster presented at Language and Music as Cognitive Systems Conference, 11-13 May, Cambridge (UK).

Durrant, S., Miranda, E. R., Hardoon, D., Shawe-Taylor, J., Brechmann, A. and Scheich, H. (2007). “Neural Correlates of Tonality in Music”, Proceedings of Music, Brain & Cognition Workshop – NIPS Conference, Whistler (Canada).

Brooks, A., Eaglestone, B., Ellis, P., Gehlhaar, R., Girao, L. M., Magee, W., Miranda, E., Peterson, E. and Rodrigues, P. (2007). “Non-Formal Rehabilitation via Immersive Interactive Music Environments”, Proceedings of International Computer Music Conference (ICMC 2007), Copenhagen (Denmark).

Morgan, N. (2007). “Transformation and mapping of L-Systems data in the composition of a large-scale instrumental work”, Proceedings of ECAL 2007 Workshop on Music and Artificial Life (MusicAL 2007), Lisbon (Portugal).

Zhang, Q. and Miranda, E. R. (2007). “Evolving Expressive Music Performance through Interaction of Artificial Agent Performers”, Proceedings of ECAL 2007 Workshop on Music and Artificial Life (MusicAL 2007), Lisbon (Portugal).

Miranda, E. R. (2007). “Songs of Interactive Autonomous Robots: A Case Study of Artificial Cognition”. (Submitted to Conference)

Kirke, A., Miranda, E.R. (2007). “Evaluating Mappings for Cellular Automata Music”, Proceedings of ECAL 2007 Workshop on Music and Artificial Life (MusicAL 2007), Lisbon (Portugal).

Martins, J. and Miranda, E. R. (2007). “Emergent rhythmic phrases in an A-Life environment”, Proceedings of ECAL 2007 Workshop on Music and Artificial Life (MusicAL 2007), Lisbon (Portugal).

Gimenes, M., Miranda, E. R., and Johnson, C. (2007). “Musicianship for Robots with Style”. Proceedings of New Interfaces for Musical Expression (NIME 2007), New York (USA).

Gimenes, M., Miranda, E. R. and Johnson, C. (2007). “The Emergent Musical Environments: An Artificial Life Approach”, Proceedings of ECAL 2007 Workshop on Music and Artificial Life (MusicAL 2007), Lisbon (Portugal).

Beyls, P. (2007). “Interaction and Self-Organisation in a Society of Musical Agents”, Proceedings of ECAL 2007 Workshop on Music and Artificial Life (MusicAL 2007), Lisbon (Portugal).

Anders, T. (2007). “A Model of Musical Motifs”, Proceedings of Conference of Mathematics and Computation of Music, Berlin (Germany).

Zhang, Q. and Miranda, E. R. (2006). “Towards an Interaction and Evolution Model of Expressive Music Performance “, Proceedings of the Sixth International Conference on Intelligent Systems Design and Applications (ISDA2006), Jinan (China).

Zhang, Q. and Miranda, E. R. (2006). “Evolving Musical Performance Profiles using Genetic Algorithms with Structural Fitness”, Proceedings of Genetic and Evolutionary Computation Conference (GECCO 2006), Seattle (USA).

Costalonga, L., Miranda, E. R., Viccari, R. M. and Matthias, J. (2006). “An Idiomatic Plucked String Player”, Proceedings of the International FLAIRS Conference – Special Track: Artificial Intelligence in Music and Art, Miami (USA).

Murray, J., Miranda, E. R., and Matthias, J. (2006). “Real-time granular synthesis with spiking neurons”, Proceedings of Conscious Reframed – 8th International Conference, University of Plymouth, Plymouth (UK).

Murray, J., Miranda, E. R., and Matthias, J. (2006). “Real-time granular synthesis with spiking neurons”, Proceedings of Conscious Reframed – 8th International Conference, University of Plymouth, Plymouth (UK).

Miranda, E. R. (2006). “Brain-Computer Interface for Generative Music”, Proceedings of International Conference Series on Disability, Virtual Reality and Associated Technologies (ICDVRAT 2006), Esbjerg (Denmark).

Brouse, A., Filatriau, J.-J., Gaitanis, K., Lehembre, R., Macq, B., Miranda, E. and Zenon, A. (2006). “An instrument of sound and visual creation driven by biological signals”. Proceedings of ENTERFACE06, Dubrovnik (Croatia). (Not peer-reviewed report.)

Arslan, B., Brouse, A., Castet, J., Lehembre, R., Simon, C., Filatriau, J. J. and Noirhomme, Q. (2006). “Real Time Music Synthesis Environment Driven with Biological Signals”, Proceedings of IEEE International Conference on Acoustics, Speech, and Signal Processing, Toulouse (France).

Miranda, E. R. and Drouet, E. (2006). “Evolution of Musical Lexicons by Singing Robots” Proceedings of TAROS 2006 Conference – Towards Autonomous Robotic Systems, Surrey University, Gilford (UK).

Gimenes, M., Miranda, E. R. and Johnson, C. (2006). “The development of musical styles in a society of software agents”, Proceedings of the International Conference on Music Perception and Cognition, Bologna (Italy).

Alvaro, J., Miranda, E., and Barros, B. (2006). “Music Knowledge Analysis: Towards an Efficient Representation for Composition”, Proceedings of the 11th Conference of the Spanish Association for Artificial Intelligence (CAEPIA 05), Santiago de Compostela (Spain). Heidelberg: Springer CAEPIA’05 LNAI post-proceedings.

Valsamakis, N. and Miranda, E. R. (2005). “Extended waveform segment synthesis, a nonstandard synthesis model for microsound composition”, Proceedings of Sound and Music Computing 05, Salerno (Italy). [

Miranda, E. R., Manzolli, J. and Maia Jr, A. (2005). “Granular Synthesis of Sounds through Fuzzyfied Markov Chains”, Proceedings of IX National Convention of the Audio Engineering Society, Sao Paulo (Brazil).

Miranda, E. R. and Maia Jr., A. (2005). “Granular Synthesis of Sounds Through Markov Chains with Fuzzy Control”, Proceedings of the International Computer Music Conference 2005, Barcelona (Spain).

Martins, J. M., Gimenes, M. , Manzolli, J. and Maia Jr, A. (2005). “Similarity Measures for Rhythmic Sequences”, Proceedings of the 10th Brazilian Symposium on Computer Music (SBCM), Belo Horizonte (Brazil).

Livingstone, D. and Miranda, E. (2005). “Orb3 Adaptive Interface Design for Real time Sound Synthesis & Diffusion within Socially Mediated Spaces”, Proceedings of the 5th International Conference on New Instruments for Musical Expression (NIME’05), Vancouver, BC (Canada).

Livingstone, D. and OShea, C. (2005). “Tactile Composition Systems for Collaborative Free Sound”, Proceedings of the International Computer Music Conference 2005, Barcelona (Spain).

Coutinho, E. Miranda, E. R. and Cangelosi, A .(2005). “Towards a Model for Embodied Emotions”, Proceedings of the Workshop on Affective Computing: Towards Affective Intelligent Systems (AC 2005), Covilhã (Portugal).

Hapipis, A. and Miranda, E. R. (2005). “Artificial Singing with a Webcam Mouth-Controller”, Proceedings of Sound and Music Computing 05, Salerno (Italy).

Coutinho, E., Miranda, E. R., and da Silva, P. (2005). “Evolving Emotional Behaviour for Expressive Performance of Music”, Proceedings of Intelligent Virtual Agents 2005 (LNCS 3661 – 0497), Kos (Greece).

Beyls, P. (2005). “A molecular collision model of musical interaction”, Proceedings of the Generative Arts Conference, Milano (Italy).

Miranda, E. R. and Matthias, J. (2005). “Granular Sampling using a Pulse-Coupled Network of Spiking Neurons”, Proceedings of EvoWorkshops 2005, Lecture Notes in Computer Science 3449, pp. 539-544. Berlin: Springer-Verlag.

Martins, J. M. and Miranda, E. R. (2005). “Societies of rhythmic agents: A neural representation of rhythm”, Proceedings of the 10th Rhythm Perception and Production Workshop (RPPW2005), Bilzen (Belgium). (Not peer-reviewed)

Miranda, E. R., Brouse, A., Boskamp, B. and Mullaney, H. (2005). “Plymouth Brain-Computer Music Interface Project: Intelligent Assistive Technology for Music-Making”, Proceedings of the International Computer Music Conference 2005, Barcelona (Spain).

Miranda, E. R. and Boskamp, B. (2005). “Steering Generative Rules with the EEG: An Approach to Brain-Computer Music Interfacing”, Proceedings of Sound and Music Computing 05, Salerno (Italy).

Miranda, E. R. and Brouse, A. (2005). “Toward Direct-Computer Musical Interfaces”, Proceedings of the 5th International Conference on New Instruments for Musical Expression (NIME¹05), Vancouver, BC (Canada).

Arslan, B., Brouse, A., Castet, J., Filatriau, J. J., Lehembre, R., Noirhomme, Q. and Simon, C. (2005). “From Biological Signals to Music”, Proceedings of ENACTIVE05 – 2nd International Conference on Enactive Interfaces, Genoa (Italy). (Not peer-reviewed report.)

Gimenes, M., Miranda, E. R. and Johnson, C. (2005). “A Memetic Approach to the Evolution of Rhythms in a Society of Software Agents”, Proceedings of the 10th Brazilian Symposium on Computer Music (SBCM), Belo Horizonte (Brazil).

Coutinho, E., Gimenes, M., Martins, J. and Miranda, E. R. (2005). “Computational Musicology: An Artificial Life Approach”, Proceedings of the 2nd Portuguese Workshop on Artificial Life and Evolutionary Algorithms Workshop, Covilhã (Portugal).

Beyls, P. (2005). “Evolving Adaptive Sensors in a Synthetic Listener”, Proceedings of the International Computer Music Conference 2005, Barcelona (Spain).

Wooller, R., Brown, A., Diederich, J., Miranda, E. R. and Berry, R. (2005). “A framework for comparison of process in algorithmic music systems”, Proceedings of the Generative Arts Practice – A Creativity & Cognitinion Symposium, Sydney (Australia).

Miranda, E. R. and Zhang, Q. (2005). “Composition As Game Strategy: Making Music by Playing Board Games Against Evolved Artificial Neural Networks”, Proceedings of the International Computer Music Conference 2005, Barcelona (Spain).

Miranda, E. R. and Tikhanoff, V. (2005). “Musical Composition by an Autonomous Robot: An Approach to AIBO Interaction”, Proceedings of TAROS 2005 – Towards Autonomous Robotic Systems, London (UK).

Livingstone, D. and Miranda, E. (2005). “ORB3 – Musical Robots within an Adaptive Social Composition System”, Proceedings of the International Computer Music Conference 2005, Barcelona (Spain).

Gimenes, M., Miranda, E. R. and Johnson, C. (2005). “On the Learning Stages of an Intelligent Rhythmic Generator”, Proceedings of Sound and Music Computing 05, Salerno (Italy).

Gimenes, M., Miranda, E. R. and Johnson, C. (2005). “Towards an intelligent rhythmic generator based on given examples: a memetic approach”, Proceedings of the Digital Music Research Network Summer Conference. University of Glasgow, Glasgow (UK).

Alvaro, J. Miranda, E. and Barros, B. (2005). “EV Ontology: Multilevel Knowledge Representation and Programming”, Proceedings of the 10th Brazilian Symposium on Computer Music (SBCM), Belo Horizonte (Brazil)

Martins, J. M., Pereira, F., Miranda, E. R. and Cardoso, A. (2004). “Enhancing Sound Design with Conceptual Blending of Sound Descriptors”, Proceedings of the Workshop on Computational Creativity (CC’04) – European Conference on Case-Based Reasoning (ECCBR), Technical Report 142-04, pp. 243-255, Universidad Complutense de Madrid (Spain).

Miranda, E. R. (2004). “Artificial Life and the Evolution of Music”, Proceedings of International Symposium on Music & Science, Coimbra (Portugal). (Invited keynote; not peer-reviewed)

Burraston, D., Edmonds, E., Livingstone, D. and Miranda, E. R. (2004). “Cellular Automata in MIDI based Computer Music”, Proceedings of the International Computer Music Conference, Miami (USA).

Beyls, P. (2004). “Cellular Automata Mapping Procedures”, Proceedings of the International Computer Music Conference, Miami (USA).

Livingstone, D. and Miranda, E. R. (2004). “Composition for Ubiquitous Responsive Environments”, Proceedings of the International Computer Music Conference, Miami (USA).

Miranda, E. R. (2003). “Musical Applications of Evolutionary Computing: From Sound Design to Evolutionary Musicology”, Proceedings of Colloquium Past, Present and Future of Technology in Music, IPEM – Dept. of Musicology, Ghent University, Ghent (Belgium), pp. 40-53. (Invited keynote; not peer-reviewed)

Miranda, E. R. and Todd, P. M. (2003). “A-Life and Musical Composition: A Brief Survey”, IX Brazilian Symposium on Computer Music: Music as Emergent Behaviour, UNICAMP, Campinas (Brazil), pp. 59-65.